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DTSTART;TZID=America/Vancouver:20210417T100000
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SUMMARY:Exhibition: Nicholas Tay - Amateur Cartography
DESCRIPTION:Nicholas Tay\nAmateur Cartography \nCurated by Pennylane Shen\nApril 17 – May 24\, 2021\nMassy Books\n229 East Georgia Street \n“It starts with my mother’s hands. Her delicate skin\, lined and creased\, as she tenderly traces the plump cheek of my youngest son. Her lines\, folding into rivers\, creasing into ravines\, dotting out into borders. The snowy smoothness of my son’s cheek\, undulating and open to promise.” \nMy mother’s hands are the map of her immigrant experience. My son still remains uncharted. I think of the journey that took my parents away from home. The journey that brought me from East to West. I think about the journeys my children may have to make. In time\, I feel we will all become part of the immigrant majority – ending far away from where we began with many stops in between. We will all know what it is to be alien. Our ideas will flow freely through borders\, our identities will uproot from earth\, and we will change and be changed by every new place. \nAmateur Cartography is a visual exploration of immigrant identity. What it is when one idea arrives upon another idea and the destruction and beauty that occurs in the dialogue. \nAbout the Artist: \nNicholas Tay likens his arrival and upbringing in the Pacific Northwest from the age five to falling in love. He dove into the freshness of the air\, the ice crystals that crunched beneath gravel fields\, street hockey in the freezing wet\, the stories of our First Peoples whisking him away on the wings of Raven and Thunderbird\, and later the liberal ideal of the multi-cultural mosaic. \nExploring multi-cultured identity is at the core of Tay’s artistic practice\, wherein vastly divergent ideas can be represented with emotional honesty in a single work of art: “I used to feel that being Chinese Canadian was akin to being lost between houses of separated parents\, or being an alien guest of a gracious host. Through the exploration of my art\, I have found that both cultures are truly at home in me and in my work.” \nEver flexible with his approach\, Tay’s choice of medium suits the stories and cultural forms he explores. Charcoal or paint lets him offer sensuous luxury as a contrast to our increasingly digital experience. At other times\, while he is wary of the seductive cleverness of digital processes\, these modern modes are ideal. Traditional forms carry immediacy\, and arrest creator and viewer alike in their visceral presence and the abstract\, emotional truth inherent in their mark making. Conversely\, using 3D software brings machine algorithms to every pixel. Through his training at the Art Center College of Design in Pasadena\, California\, and his years working in Visual FX and video game development\, Tay became interested in the possibilities of working with technology as his collaborator. Through its interpretation of the artist’s instructions\, the technological mediator separates the creative output from potential artistic biases. \nArt has been a dominant part of Tay’s life since his earliest memories. Beyond words or numbers\, it has been the most clear\, honest\, and comforting means of expression. Identifying as an introvert\, and amalgamating diverse lines of heritage between China and Canada\, Tay embraces art to tell honest\, deeply personal stories in a way that would be daunting in other formats\, bridging the awkward and profound\, or in Tay’s words\, “the profoundly awkward”. \nTay received his formal art education at Art Center College of Design in Pasadena\, California. His current series\, Amateur Cartography\, explores the clash of cultures through a visual dialogue between representation and abstraction. \nAccessibility\n \nThis event takes place upstairs in the Massy Gallery\, which is only accessible by a flight of stairs. Unfortunately\, no audio tours are available at this time. \nMassy Books is easily accessible by transit! Close to the 22\, 3\, 8 and 19 bus lines at Main and Georgia/Gore and Georgia. There is metered street parking along Georgia\, or lot parking at the Sun Wah Centre around the corner (268 Keefer).
URL:https://www.massybooks.com/event/nicholas-tay-amateur-cartography/
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SUMMARY:White Magic: Book Launch with Elissa Washuta and Billy-Ray Belcourt
DESCRIPTION:Celebrate Cowlitz Indian Tribe member Elissa Washuta’s newest release with Griffin Poetry Prize winner Billy-Ray Belcourt. \nHow to attend: Register through the Eventbrite. Zoom information will be sent to you via email and available on the Eventbrite page. https://bit.ly/38eaeH7 \n  \n“White Magic is magnificent.” —Kristen Arnett \nBracingly honest and powerfully affecting\, White Magic establishes Elissa Washuta as one of our best living essayists. \nIn this collection of intertwined essays\, Elissa Washuta writes about land\, heartbreak\, and colonization\, about life without the escape hatch of intoxication\, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks\, the Oregon Trail II video game\, a Claymation Satan\, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger\, as a Native woman\, of relaxing into romantic love under colonial rule. \nAbout the Author \nElissa Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of My Body Is a Book of Rules and Starvation Mode\, and her book White Magic is forthcoming from Tin House Books. With Theresa Warburton\, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She’s a National Endowment for the Arts Fellowship recipient\, a Creative Capital awardee\, and an assistant professor of creative writing at the Ohio State University. \nSpecial Guest \nBilly-Ray Belcourt (he/him) is a writer and scholar from the Driftpile Cree Nation. He won the 2018 Griffin Poetry Prize for his debut collection\, This Wound Is a World\, which was also a finalist for the Governor General’s Literary Award. His second book of poetry\, NDN Coping Mechanisms: Notes from the Field\, was longlisted for Canada Reads 2020. A recipient of the prestigious Rhodes Scholarship and an Indspire Award\, Belcourt is Assistant Professor of Indigenous Creative Writing at UBC. \nA Note on Recording \nPlease note that this event will be recorded via Zoom and posted publicly. The recording may contain attendees’ names and images. We recognize that this may be undesirable for some participants. If you do not wish for your name or image to be used in the video\, please leave your video turned off during the event. You may also change your name to something generic like “Participant” or “Anonymous” in the Zoom meeting room by selecting yourself from the participants list and editing your name. By registering for this event and clicking the Zoom link that will be emailed to you\, you consent to being recorded and are aware of actions you can take to anonymize yourself during the event. If you do not want to participate in the live session\, the recording will be posted at a later date to our YouTube channel.
URL:https://www.massybooks.com/event/white-magic-book-launch/
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