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SUMMARY:Exhibition: Nicholas Tay - Amateur Cartography
DESCRIPTION:Nicholas Tay\nAmateur Cartography \nCurated by Pennylane Shen\nApril 17 – May 24\, 2021\nMassy Books\n229 East Georgia Street \n“It starts with my mother’s hands. Her delicate skin\, lined and creased\, as she tenderly traces the plump cheek of my youngest son. Her lines\, folding into rivers\, creasing into ravines\, dotting out into borders. The snowy smoothness of my son’s cheek\, undulating and open to promise.” \nMy mother’s hands are the map of her immigrant experience. My son still remains uncharted. I think of the journey that took my parents away from home. The journey that brought me from East to West. I think about the journeys my children may have to make. In time\, I feel we will all become part of the immigrant majority – ending far away from where we began with many stops in between. We will all know what it is to be alien. Our ideas will flow freely through borders\, our identities will uproot from earth\, and we will change and be changed by every new place. \nAmateur Cartography is a visual exploration of immigrant identity. What it is when one idea arrives upon another idea and the destruction and beauty that occurs in the dialogue. \nAbout the Artist: \nNicholas Tay likens his arrival and upbringing in the Pacific Northwest from the age five to falling in love. He dove into the freshness of the air\, the ice crystals that crunched beneath gravel fields\, street hockey in the freezing wet\, the stories of our First Peoples whisking him away on the wings of Raven and Thunderbird\, and later the liberal ideal of the multi-cultural mosaic. \nExploring multi-cultured identity is at the core of Tay’s artistic practice\, wherein vastly divergent ideas can be represented with emotional honesty in a single work of art: “I used to feel that being Chinese Canadian was akin to being lost between houses of separated parents\, or being an alien guest of a gracious host. Through the exploration of my art\, I have found that both cultures are truly at home in me and in my work.” \nEver flexible with his approach\, Tay’s choice of medium suits the stories and cultural forms he explores. Charcoal or paint lets him offer sensuous luxury as a contrast to our increasingly digital experience. At other times\, while he is wary of the seductive cleverness of digital processes\, these modern modes are ideal. Traditional forms carry immediacy\, and arrest creator and viewer alike in their visceral presence and the abstract\, emotional truth inherent in their mark making. Conversely\, using 3D software brings machine algorithms to every pixel. Through his training at the Art Center College of Design in Pasadena\, California\, and his years working in Visual FX and video game development\, Tay became interested in the possibilities of working with technology as his collaborator. Through its interpretation of the artist’s instructions\, the technological mediator separates the creative output from potential artistic biases. \nArt has been a dominant part of Tay’s life since his earliest memories. Beyond words or numbers\, it has been the most clear\, honest\, and comforting means of expression. Identifying as an introvert\, and amalgamating diverse lines of heritage between China and Canada\, Tay embraces art to tell honest\, deeply personal stories in a way that would be daunting in other formats\, bridging the awkward and profound\, or in Tay’s words\, “the profoundly awkward”. \nTay received his formal art education at Art Center College of Design in Pasadena\, California. His current series\, Amateur Cartography\, explores the clash of cultures through a visual dialogue between representation and abstraction. \nAccessibility\n \nThis event takes place upstairs in the Massy Gallery\, which is only accessible by a flight of stairs. Unfortunately\, no audio tours are available at this time. \nMassy Books is easily accessible by transit! Close to the 22\, 3\, 8 and 19 bus lines at Main and Georgia/Gore and Georgia. There is metered street parking along Georgia\, or lot parking at the Sun Wah Centre around the corner (268 Keefer).
URL:https://www.massybooks.com/event/nicholas-tay-amateur-cartography/
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DTSTART;TZID=America/Vancouver:20210424T060000
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SUMMARY:2nd Annual Antiracist Book Festival
DESCRIPTION:The Annual National #AntiracistBookfest celebrates the nation’s leading antiracist writers and helps to prepare the writers of tomorrow.\n\n\nOn Saturday\, April 24\, 2021\, Boston University’s Center for Antiracist Research will host the 2nd Annual National Antiracist Book Festival. This event will be held virtually to protect the safety of our community.\n\n\n\n\n\n\n\nThe #AntiracistBookfest is the first and only book festival that brings together\, showcases\, and celebrates the nation’s leading antiracist writers and helps to prepare the writers of tomorrow. Panels are topically organized with two authors and a moderator. There will also be workshops for writers facilitated by leading book editors and literary agents. The National Antiracist Book Festival is a ticketed event. All proceeds from ticket sales will go towards the work of the BU Center for Antiracist Research. \nThe 2nd Annual National Antiracist Book Festival was originally scheduled for April 25\, 2020\, and postponed due to the COVID-19 pandemic to Saturday\, April 24\, 2021. \nFull event details: https://bit.ly/2RaH325 \nAccessibility: Live CART captioning will be provided for every panel session. \nMedia Contact: Event is by RSVP. Media members are required to RSVP by March 31. Please contact antiracistbookfest@bu.edu \nHow to Attend: Registration mandatory. Purchase tickets here: https://bit.ly/2RaH325 \nTickets will be on sale until 4pm ET on Wednesday\, April 21st.
URL:https://www.massybooks.com/event/antiracist-book-festival/
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DTSTART;TZID=America/Vancouver:20210424T190000
DTEND;TZID=America/Vancouver:20210424T203000
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SUMMARY:West Coast Poetry Launch: Tara Borin\, Molly Cross-Blanchard\, Selina Boan\, Terence Young & Dallas Hunt
DESCRIPTION:Spring 2021 has brought us phenomenal new poetry collections. Join us for the West Coast launch featuring Tara Borin\, Molly Cross-Blanchard\, Selina Boan\, Terence Young & Dallas Hunt! \nHow to attend: \nRegister through Crowdcast to attend: https://www.crowdcast.io/e/west-coast-poetry-launch/register \nTara Borin\, The Pit\nAvailable for purchase: https://bit.ly/3apkihi \nIn the melancholy atmosphere of the bar and the rooms upstairs\, the speakers of Borin’s poems find unexpected solace and belonging. The habits\, the routine\, the regulars\, the predictability of it all brings some kind of chaotic order to chaotic life \nMolly Cross-Blanchard\, Exhibitionist\nAvailable for purchase: https://bit.ly/3n3KALj\n \nOne minute she’s drying her underwear on the corner of your mirror\, the next she’s asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny\, brutally honest\, and alarmingly perceptive\, Molly Cross-Blanchard’s poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen\, to tell you the worst things about herself in hopes that you’ll still like her by the end. \nSelina Boan\, Undoing Hours\nAvailable for purchase: https://bit.ly/2QhTUPL\n \nSelina Boan’s debut poetry collection\, Undoing Hours\, considers the various ways we undo\, inherit\, reclaim and (re)learn. Boan’s poems emphasize sound and breath. They tell stories of meeting family\, of experiencing love and heartbreak\, and of learning new ways to express and understand the world around her through nêhiyawêwin. \nTerence Young\, Smithereens\nAvailable for purchase: https://bit.ly/3guyx8u \nIn Smithereens\, Terence Young ranges widely among forms\, subjects\, tones and moods\, invoking the domestic world of family and home\, as well as the associated realms of work and play. He describes the simple pleasure of losing one’s bearings and seeing the world anew in “Tender is the Night\,” and in “The Bear” he records the near-magical appearance at a summer cabin of a creature that hasn’t been seen in the area in over fifty years. The ironic benefits of a house fire\, the late-night sounds of a downtown alley\, the smells of a summer morning in the Gulf islands—all of these serve as vehicles for reminiscence\, meditation and humour. \nDallas Hunt\, Creeland\nAvailable for purchase: https://bit.ly/3dyC1Vv \nCreeland is a poetry collection concerned with notions of home and the quotidian attachments we feel to those notions\, even across great distances. Even in an area such as Treaty Eight (northern Alberta)\, a geography decimated by resource extraction and development\, people are creating\, living\, laughing\, surviving and flourishing—or at least attempting to. \nThe poems in this collection are preoccupied with the role of Indigenous aesthetics in the creation and nurturing of complex Indigenous lifeworlds. They aim to honour the encounters that everyday Cree economies enable\, and the words that try—and ultimately fail—to articulate them. \n 
URL:https://www.massybooks.com/event/west-coast-poetry-launch/
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